In 2006 I was invited to participate in a group show à ses parents, La Maison Blanche de Le Corbusier, in my friend Anthony Bannwart's hometown La Chaux-de-Fonds, Switzerland. During this time I was interested in working observationally and intuitively. Site-specificity is a challenge that has the potential to raise interesting questions about how we engage with the natural environment architecturally and with our bodies. I was not consciously responding to the architecture of Le Maison Blanch per se. In hindsight, my act of tracing the surrounding garden can be thought of as a response to Le Corbusier's legacy and divisive vision. Also noteworthy is my aesthetic subconsciously creeping in despite my attempt to be observational. The circlular window frames a loose medley of flora, whereas the rectangular window frames architectural garden elements.

'Natural planning', Site specific drawing, Liquid chalk on window glass, 2006

'Natural planning', Site specific drawing, Liquid chalk on window glass, 2006

Installation View: 'Natural planning', Site specific drawing, Liquid chalk on window glass, 2006